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I've seen Hammer's THE GORGON many times, but after viewing it again several days ago, was struck by the terrible position the screenwriter left Mr. Lee's character in at the film's conclusion.
WARNING *** SPOILER AHEAD
The local police attempt to arrest Lee's character, Prof. Meister, for complicity in the abduction of Peter Cushing's assistant, Carla. Lee escapes (by force) through a window and hurries to Castle Borski for a final confrontation with the Gorgon. He arrives to find Cushing (the actual villain) dead, the young hero dying, and in time to destroy the creature.
One gets a feeling the screenwriter wants us to breath a sigh of relief that the "horror" is over. But, I fear, it's just begun for Prof. Meister.
All of the witnesses are dead, including the women he's been accused of abducting. No evidence of his fantastic story remains to back up his claims. (You really can't count the stone bodies of Cushing and the hero; the police have already covered up seven like-murders without batting an eye.) And the authorities, hot on his heels, have proven themselves deaf to explanations and blind to facts.
Am I reading too much into it; or is Prof. Meister in for a lot of trouble?
Doug
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