Mike S. said:
Quote:
| Personally, I think this should be done first class, or not at all. |
I'm glad someone said that. I don't want to be a wet blanket, but I've been a professional writer for national magazines for a dozen years, and I know how much I
don't know about the production side.
There's nothing wrong with Greg's steps, but some of them should have chapters or books under them about what to do. There are volumes written on merely selecting a professional printer, and that doesn't address what must be done
before that stage.
I don't know how many of the jobs within production Mike does, but I suspect he would agree that no professionally produced magazine (I'm assuming a full-color, saddle-stitched, one-shot) is put to bed by a single production professional.
I know people in the business who could advise, and I know freelance editors who have taken responsibility for directing and launching magazines, and they would know a lot more about the production and publication process. I can give you wonderful contacts, but they don't come cheap, let alone free.
As for the content, I know that members like Greg, with his puzzles, can contribute really wonderful things. You'll still need someone who oversees magazines for a living to make sure that all the content is professional, and to do things that, I dare say, none of us here understand about publishing a professional product.
Maybe that's what Juan meant in the beginning? That there could be contributions from members, if the work is truly professional grade, but that we aren't going to just go into the treehouse like the Little Rascals and make a marketable product?
Juan?
(Edited by RebeccaRohan at 9:18 am on April 4, 2001)